My First Novel

First novel 'Improvisations on the Theme of unLove, or as he says "The Autobiography of a Bastard"' seeks would be friend, lover, and publisher. Must be dark, well connected with current literature, post coital modernism and willing to take a risk with daring, slim hardback volume, ambitious in scope, stylish and full of adventurous language, with hidden depths only to be revealed to the right eyes.

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Name:
Location: London, United Kingdom

Cultural gypsy currently anchored in London while completing a Masters in English. Abandoned at birth by German Missionaries in a remote Indian jungle I was found and adopted by a wandering group of jay monkeys. They'd studied Shakespeare from a book abandoned by Hamlet's father, and they taught me the use of the comma, and the mis'placed apostrophe. I wait impatient for the call of the publisher, but all I hear is the noise of the traffic and the howl of the tourists at the window.

Wednesday, May 18, 2005

The Marketing Coverleaf

Take one bastard, plant in him the idea that he’s a Greek hero, add the devil as his twin and guide to his history, garnish with a handful of women(six in total), and then simmer for just over two hundred pages at fever pitch as he tries to unravel the life which has him now standing on a window ledge contemplating gravity; take out slowly and admire the autobiography of a bastard.

Indy is the man in question, and his life is literally on the brink. His parents think he’s a complete mess, his relatives refer to him as a loafer, and the women in his life now call him a bastard. And Indy? He doesn’t have a clue what he is. To the world he’s an Indian transplanted into the UK. He’s agreed to an arranged marriage, has fallen in love with an English colleague, and managed to become embroiled with a pair of Spanish twins. Into this exotic eclectic mix pops the ghost of his grandmother offering advice and a surreal shoulder, and after her comes the devil, to remind him how to hold the attention of an audience; no wonder Indy doesn’t know which side his life is buttered on.

This is Indy’s story, the autobiography of a bastard, and it’s also the story of the women in his life as they all try and make sense of what it is to be alive in a time of unlove.


NOTE: All posts on this blog are copyright of their author Pilgermann BM and a dim view will be taken of plagiarism and rip-offs

The synopsis

Indy's standing on the window ledge of his sixth floor flat contemplating suicide, when the devil appears beside him and strikes up a conversation. Indy’s just been abandoned by his latest girlfriend and his world is collapsing into itself. The devil tells him destiny is just an illusion, and life nothing more than a backward story waiting for the colour of memory. The value of life, he goes on, is measured by the number of memories we create. He asks Indy to entertain him with his story while he’s deciding whether to jump or not. When Indy replies he has no story, the devil retorts that this cannot be true, as everyone has a story. So Indy closes his eyes begins the story of his life with the women who've coloured his life.

He starts with his affair with Alli and its background: he’s an Indian transplanted into the UK, his marriage arranged, a choice between five handpicked women; his life is controlled by his parents’ ambitions. When he and his first wife meet, at a matchmakers’, they spark off a chemistry, which they subsequently explore by chasing each other through London, opening sexually and sensually to each other. His parents, however, had hoped for a submissive, domesticated woman; what they get is a free spirit one who knows her own mind and has aspirations for a life outside their ambitions for their son. After four years Indy is still struggling to free them from his parents and this is the moment he meets Alli.

Indy and Alli explore each other for nine months, are planning a new life together, when Alli suggests they should stay apart for six months, just to be sure of their intent. He agrees, and begins his wait, neglecting Azurra, neglecting his business and all the people around him. He suspends his life, becomes totally obsessed with the moment the telephone will ring signalling a reawakening.

While waiting he meets a Spanish woman waitressing in Earls Court. He's persuaded by a friend that this woman is the ideal candidate to bring him back to reality. Cara doesn't want a lover, just a friend. Indy’s open with her about his affair and his marriage, but this doesn't prevent her falling in love with him. They embark on a relationship, even though she thinks he’s a fool for believing Alli will return to him. But he can’t satisfy her need for him; he’s too pre-occupied with Alli. For him, Cara’s just a substitute until Alli's return. Only now, looking back, does Indy realise the pain he’s caused, and that he's been waiting for a mythical woman when she was always there in front of him. But that thought cannot change his past. Alli stays with her husband. Cara tired of waiting for him to open, moves on, and he's left to pick up the pieces of his marriage.

Meantime Azurra’s discovered copies of his correspondence with Alli. She confronts him, and he admits his guilt, tells her the affair is over. Indy tells the devil that she’s suspected him all along, and that she also knew about Cara. She’s just been waiting to get her revenge. Azzura then tells her side of the story, recalling her life with Indy, their marriage and how she tried to commit suicide after she discovered the correspondence. She plans her revenge: she sends a note to Alli's husband detailing the affair and intimating he’s still being cuckolded; she send another note to Cara’s address in Spain graphically describing what will happen to her. Having destroyed Alli's marriage she then asks Indy for a divorce. Indy turns to Cara for support. She introduces him to her twin, Zule. Finally he believes that she is the woman he's been waiting for; she's a mathematician, a philosopher and she matches his sexual appetite, and he thinks she can create him as the perfect number. But his parents have other ideas. They've invited him to India, and when he goes back, finds that they've lined up another woman for him. Unable to bear the social pressure he gives in to their demands and marries again. Back in London he pledges himself to Zule and determines he will not bring his new wife over to the UK. However he's caught in his traditions, the dreams of his parents, and the demands of a woman who's not willing to share him. What does he do? He goes into his obsessive shell and kills off any hope of a future with Zule. Now looking back he knows his obsession with himself, his unwillingness to share himself has lead him to the window ledge, where the story had initially started. The devil says if Indy is to live then he has to comprehend his history and recreate himself; he has to start at the beginning and fall in love with life, give himself totally to the woman now standing in front of him. Can he do it? Does he have the inner strength? He believes he does, thinks he’s discovered the meaning of that one word he’s been looking for all his life.

The Agent and the Author

A correspondence between an unknown author and the world of literary agency. Even the name doesn't ring through - how many agents, nowadays look at literary works? They want to deal with established writers, writers who are already published, not with the dregs beavering away dreaming of a break. So how does the process work? I've sent off a few exploratory emails and this is a record of the different threads.

The first rejection from Guy Masterton of The Marsh Agency
............................................................................................................................
Dear Pilgermann BM,

Thank you for sending us the sample chapters of your novel. We are
afraid that, despite its qualities, we do not feel sufficiently
enthusiastic to offer to represent your work.

We wish you better luck in finding representation elsewhere.

Yours sincerely,

The Marsh Agency


My Reply
.................
Guy,

Thanks for the reply. I'm glad that you recognised its qualities. And deflated that you could not summon up sufficient enthusiasm. 'C'est la vie' as the bishop said to the actress.

All the best

Pilger

The Letter

Dear......

I present a book about fornication, a book that has more begatting and spilling of seed than the Bible. It asks the question: How do you chart the progress of a penis? And it answers by holding a conversation with the devil while contemplating the pull of gravity from a sixth floor window ledge.

This book explores sex, the senses and its own sexually organic language, and places them all into a self perpetuating myth about a man's grand vision of himself.

Let me know whether you'd like to be titillated when you get tired of looking through the slush pile?

Pilger

Catfish and the Needle of Truth

http://everyonewhosanyone.com/

This is a site and a half. Wish I'd discovered it sooner. Hot shit or what! The guys has all the big players listed, and all with agent email addresses.

Mass mailing? Mass emailing is about to be launched.

All replies will be posted here.

Friday, May 06, 2005

The search for an agent begins!

The moment of truth: synopsis undergone its umpteenth revision; letter amended until I can hear the bloody thing moaning everytime I come near the pc; list of agents prepared and ready. What more do I need? Luck? Contacts? Every site I go to says the same thing: you need to be prepared to wait. Ten years in the writing and I'm getting a little impatient to see this baby delivered. The pain won't go away until the hardback emerges from the publisher's.
If there's anyone out there who can give any advice on getting agents, that would be most welcome. And any donations to keep me going wouldn't be turned away!
Look out world the best book since Ulysses is about to hit the road.

Friday, April 08, 2005

From the Ground Down

Hey, move over. It’s the devil. I hear him step out, join me on the ledge. I have my eyes closed. But it’s him. I’d know him anywhere, the bastard twin who refuses the sunder. I keep my eyes shut. I desire darkness; the light hurts me. But I can’t keep it away. The sun spits at me. Fists of light. Pounding me. Biting into me. Forcing their way into my burning head. Driving me towards my destiny.

I hear him tapping his feet. There’s a pain in my hands, small tips of hot metal. Each tap’s like a hammer blow. I’m trying to will it away by concentrating on the parts of me that do not hurt. That’s what they instructed at the meditation centre: FOCUS ON THE NOT PAIN. It’s proving difficult.

Nice view, he remarks, interrupting my agony. Probably the best view in the world. And, you know it could…. He pauses and I feel his eyes burning on the side of my face. He doesn’t complete the sentence but in a softer voice he continues, It’s a good day for it.

For what? The words just spill out, even though I want nothing to do with the bastard.

For ending your story, he laughs, for completing the insignificance of an insignificant life.

I’ve heard that laugh all my life. He haunts me, the bastard, is always treading my shadow. And now he’s followed me here, into this, this supreme moment, that was supposed to be my moment. My bloody moment!

Go on, you are going to splat yourself? You are going to jump? He intones the words letter by letter, each sinking painfully into my head. I know he’s willing to help. He’s whistling now, or trying to – he’s never been able to. I remember the walks back from school, the deserted house we used to play in, pretending we were angels while we strung up and buggered stray cats (I remember him trying to plug me up the arse as well, and the smack I gave him - the look on his pug-nosed face! Hadn’t been expecting that, thought I’d accept his fucking intrusion without complaint). He wanted to learn to whistle, and I remember showing him how to curl his tongue, force the breath past, and to furl his lips just so. The bastard would lean into me, our bodies triangulated, him and I and our shadow, until our mouths nearly touched as he tried to mimic the perfect ‘O’ I’d achieved. All he managed, I recall, was a sound like a fridge leaking gas. The same sound now.

He nudges me. What you waiting for? Look, his voice points downwards, they’re all waiting.

I open my eyes.

I’m on the window ledge, the wrong side of the glass, of course. Six floors down the ground stares up at me with the glazed look of a TV audience. I’m cold. Thin clouds obscure the sun. A gust of wind presses against my legs. I shiver. Looking down I can see myself broken, limbs marionetted. I reach back for a handhold, touch cold glass.

I close my eyes, and a grey sky grips my throat. There’s nothing but this grey sky, a darkening sky inside of me.

AMAR! The word shouts inside my head. I cling to the glass.

What am I doing here? I remember nothing. How the fuck did I get here?

My eyes sting. The wind is whipping me.

I remember crying, howling, raging at the ridged ceiling, caught in that desperate moment when the world itself seems to be opening, crumbling. I remember a vacuum. I try to close myself. My grandma appears inside my head. What does she want? Her presence spooks me; she spooks me with her look. I love her but this is not the time. She’s hissing fire, fanning the embers of my heart. She has that power even though she’s five thousand miles away. Talk about connections! It’s the groove. We share the same lines, the same songs, the same memories. I’m tied to her, Flesh descended into itself, rib from rib, the soldering of human trinity, the traces of all others diminished.

That soldering, I know, is my malady. Part of my flesh has parted and away. Tight the black sail twangs into the wind as the rib recedes. The light dribbles down my face. I feel its dampness, the red corpuscles singeing my white root.

Jump, he whispers, give them their daily thrill.

Fuck you, I want to say, leave me be, but I keep silent.

Then there’s a shout.

Despite the fear of my grandma’s shadow my eyes are tightly closed. Light steals past them still, patterns spark and play on the red ice. Light and shade. God’s world. Gathering boundless the eye of the first. The horizon melts under the weight of the impending event. Birds shatter against the glass, a beginning sparks, promising. Yet, to me, it feels like the ending.

WHY AM I…..I pause in my thought. The howls break inside of me, the screaming colours my memory. I’d come back to the empty flat. The rooms echo behind me, seem to have been fractured, all life withered in the vacuum.

At the top of the far pillar, that stands at the crossword of the North Circular and High, a salted man shouts: EMPTINESS IS THE OPPOSITE OF LIFE. I seem to know that. I know that the empty room behind me is a reflection of me. There’s no life in that room, and soon (I can feel the cells emptying, the cancer of the loneliness spreading) there will be no life in me. Not even the sound of my voice.

EMPTINESS. There is nothing to touch, to be touched by. No memories, no songs. My eyes light on nothing. My thought sparks darkness.

AMARI! I remember the howl. I remember it chasing me onto the ledge.

I remember a voice. And I want to jump. I don’t know why. I feel its hands at my back.

I don’t jump. There’s another voice behind the first. They’re both familiar, both seem to be part of me. Warm touches, soft touches, touches filtering past the pain soothing. The clouds are being pushed away, the sky magnifies its blue through the gaps. The second voice, a man’s, says: ‘If you want to jump, Pilgermann, jump. But remember, there’s a time for our deaths. It comes of its own when our jug is full. Is yours brimming? Have you over-filled it? Stop and ask yourself where all your moments have gone. Life, my beautiful sonlet, is about moments, impressions, and,’ he pauses, almost sighs before he continues, ‘there’s nothing that touches as deeply as the touch of a woman.’

The devil begins to speak, cuts past the voice, which I know is my father’s. He comes tripping into my eyes, past the flashes of lightning inside of my head. Let them have it, he shouts above the thunder, fuck ‘em just as they’ve fucked you. And then, in the midst of this storm, I hear, remember, another, that first voice, a woman’s voice, definitely a woman’s, one who’s touched me with the force of the first birth, calling me. I know there was already a distance between us. I’d been in Sainsbury’s (down in Hendon), in front of the cheese counter when I heard her call, the phone’s vibration betraying my heart, tying me darkly to her. I remember now. It’s the voice of her, her voice; I feel its thread growing stronger, opening up its throat. I can see her shadow – again my legs tense and I see myself on the ground – and I know she’s the spark, that she’s the key to me standing on this window ledge looking down at my dead flesh.

My father continues, ‘Whatever you do I’ll be waiting. That,’ and there was a slight pause, ‘is my throw and I cannot cast another die. But you are your own man, come when you feel all have deserted you. Remember, not till then.’

The devil’s laughing: He’s abandoned you, you fucker! Those are your people now. They’re here for you. Look at their faces. Such an eager audience! He slaps me on the shoulder and I vomit uncontrollably, the long arc of undigested mix curving out and down. I hear screams from the people down at our feet. I sway, am about to fall, but he grabs hold of my collar. Not yet, he whispers, not yet, my love. You don’t want to end it yet. They haven’t even got to know you. Let them wait. Let’s give them a show they’ll remember. Let’s show them what a hot-blood you’ve been.

I have no idea what he’s talking about. But it’s all I can do to keep my balance.

It’ll be just like old times, he says. I’ll be at your shoulder. I’ll be your counsellor. You can spill the beans to me. You know you want to. This uncircumcised crowd wants your history. I, and he pulls himself to his full height, I want to know why you’ve been hung out to dry.

Go fuck yourself, I tell him.

That’s my boy, he says. Show a bit of spine. He spits at the crowd, and they fall back from the bright drops. Come on. Let’s get this show off the ground. Tell them what is pearled around your heart, Go on, you mother-fuck. I’m not going to let you die yet. Your pretty arse is still mine until He calls you, if He calls you.

A bolt of wind drives the clouds past the sun. The light strengthens, turns off the darkness, and I am lifted…… and I hear him saying, Strip yourself, give them the pure stuff, none of that adulterated shit. Fuck you, I whisper falling into the warm maw opening before me, the great red tongue waiting to lick my flesh…..

Friday, March 11, 2005

Chapter 2 - The Chrysanthemum Field

“Our eyes are frosted glass, the events of the world a blur which can only be interpreted by pushing them through a Tao of Physics, to separate the inseparable and make them contingent and yet separate.”


I am his. I am the one he wants. I am. I am she he wanted. There was only ever me. I was. I know my power. I am the temptress. I am mine. The mistress. The flesh he needed. Light. Bright. Gold and white. I am his flesh. The star he followed. In my light I watched him undress. Emerge the long unfurling flesh, unhinging. Falling from out the pressed clothes. Birthing this man for me. Exquisite as the first fragile wing. Watched him come over. Stands looking at me. Those strange eyes! I know he wants to feed on me, inside me. I wait for his touch. He comes. I open. Waiting. Waiting. I still wait for his touch. I still dream about his touch. Wake up, his name a cry. Have to bite my lip. He’s heavy in me. I carry him. I carry his memory, the memory of the flesh behind the flesh. He was mine. I watched him curl into me, the dark tan of his back entering my thigh. God, the strength of his weight! They are above me again, circling with their blades cutting the blue flesh. The crowds wait, drinking outside the door. They know what I need, what my body needs, what my mind needs. Need him. I am driven by my need for him. My hand drops and I am dripping. Always he could make me. Just a look. Across the room. Through the glass. Always. I am the one he wanted. He used to call me from the car. Always the first to open on his tongue. I am the one he named his own. Look at me. I am the woman he matched with his heart. Heart beats, beats, beats, it beats. His song beats.

Alli

1

Spring was opening the first time I saw Alli, the world forced into waking from its temporary grave, with bud, beast and bird adding to the rising chorus; another pilgrimage was unfolding. Alli was in the office she had temporarily invaded; she was redesigning the main sales room with her own desk throned against the top wall. A frosted glass partition divided us. But I remember her head turned as I walked past. She watched me as I strode along the corridor towards the exit, and feeling her gaze upon me I returned the look, caught her refracted fractured eyes through the glass briefly, the length just sufficient for that first impression to harden, bury itself in my memory.

At the time I was freelancing for a promotional company in Wembley. Its office was in the middle of a vast, concrete estate, one of many, lining the North Circular Road as it achingly wound its slow way to the Hangar Lane roundabout. The first trip there completely defeated me. The roads were a complex web, the secretary laughing as I explained on the mobile that I’d turned exactly where she’d instructed me to, the dead end in front of me not looking at all like the office she was describing.

-You should’ve a taken a left into the estate, then a sharp left and right, another right and we’re straight in front of you. You did take a left past the tower block, didn't you?

-Yes, I’m sure, I almost wept into the mouthpiece. I spelt it out to her; I am not in front of your building.

-It seems you’re lost. Is there someone you can ask?

I could have told her I was asking someone, the useless bitch, but I kept my mouth shut. This was not the moment to release my frustrations. Through gritted teeth I told her I would find someone, and as luck would have it an old man came tottering up towards me. The poor bastard looked as if he was on his last trip. But I stopped him anyway (my grandfather used to say that those astride the grave know the way to the ends of the universe).

He stood salivating for a minute, before pointing vaguely and saying, These roads, they’re a right mess they are, turnings everywhere, dead ends and bloody one way systems. His voice rose a notch, Fucking developers with their fucking loopy ideas. Who needs roundabouts? Fucking shits. He was now almost shouting, and I was beginning to regret having interrupted such an intellect just to ask for directions. Maybe the finer points of retarding nuclear fission would have been a better question? But, he then continued. In a calmer voice he said, Everyone gets lost in here, even the bloody cab drivers. What you're looking for I think is over there, just behind that building there. Try that way. His finger pointed uncertainly past the massed buildings.

He should have added ‘Good luck’ I thought as I tried first ‘that way,’ then another and then another. Finally when my head couldn’t distinguish one grey façade from another I was there, and that’s where it started, this story, in a grey building in a grey estate in a grey part of one of the most decrepit areas of London.

2

Ken, my business partner, and I had been there two months, our task to install a new streamlined ordering system, when the new MD, a friend and an old client of Ken’s, having swept the old company guard away, began his search for a new office manager.

Alli was a friend of Rachel, one of the saleswomen. Rachel was good at her job, her loud voice heard across the corridor in the accounts room, cajoling, beguiling, getting that most important first meeting with clients; in her first month she brought in more business than all the other sales staff combined. It was these monthly figures that filtered her into my attention. Apart from managing the computer systems I also had the task of analysing the sales returns and compiling then into numbers the MD could easily digest and her name was always at the top.

You couldn’t miss Rachel. She was a big woman, a crazy scaffolding of flesh. She reminded me of an African bush woman, carrying her fat on her backside, a store of food against the lean winter. A smooth round face, hair the colour of straw, and thick throaty voice. Her laugh, big and rounded like her flesh, completed the plantular package. She walked like an African too, her backside rolling crazily, threatening unilateral independence as she strode up and down the main corridor. Word around the company was that she’d lived in South Africa for a while; she certainly carried that look of inbred superiority which marked the brute features of the incestuous Afrikaaner. And she also possessed an arrogance which immediately shifted her into a box, for me at least, marked ‘Do not approach – If you do then at your own risk’. But she was an amazing saleswoman; women always are, and it wasn’t hard to imagine her in the veldt trekking to some remote village in the hope of finding new customers for a range of unwanted lingerie, hordes of native children opening and closing around her like fields of wheat.

3

My wife compared me to an African; not because I’m smoothly dark, or that I’m mythically endowed; there was another reason. We attended weddings, those of family, friends and some that we just gate-crashed. They were all loud Punjabi affairs. Once the religious ceremony was over, the floor cleared of the white sheets, and the Guru Granth Sahib taken away, the tables laid around the perimeters of the hall, the band would take the stage. They were invariably longhaired youths, invariably from Birmingham, and invariably without rhythm, musical and otherwise, the lack of which they aptly demonstrated while they slithered about on the smoking stage in their silver leotards. But that never mattered; the bride and groom would be pulled, or rather shoved, onto the dance-floor, the rest of the party would follow, and my wife would guide me onto the dance floor, laughing at my attempts to co-ordinate my rebellious limbs.

-You dance like a broken African, she told me as she smoothly sashayed around me, the way you wave your bum. Do this, she would prompt me, take hold of my hands and together we weaved across the floor my feet tripping over themselves in a desperate effort to imitate hers.

Who was my wife? How many wives did I have? My memory tells me Azurra was the first. I married her at 26, after prolonged pressure to sire a son, or soon, I was told, my seed would be of no use to any creature. I remember Azurra’s eyes and her patrician nose. Her father’s nose she carried. Proud. Italian empress, the mother of wolves. But her eyes! Strange they were, gold, green and brown, lit from the inside, the eyes of night animals, of hunters. And shit, could she hunt!

When I started working in Wembley I’d been married for nearly four years. It was a space full of turmoil, albeit constructive I should say, since I felt stronger within myself, almost complete, a state I could not have dreamt of when I first met her. Let me explain; I was the younger of twins; my brother (everyone called him the Elder, though he’d emerged into the world only a few minutes before me) was the jewel in my parent's crown, a chemical engineer who’d completed his PhD, and reached the peak of his profession while I (known to all and sundry as the Yunger, despite my protests that they use my legal name) still scrabbled with words, dreamt of that one word to finally lay me open before, and connect to, Him.

-You want to be a writer? My father made no attempt to hide his disbelief. Why? He left the question to hang for a moment before he continued; A bloody writer! He was shaking his head. No money in that. You can’t make money writing. No one’s going to buy your fantasies. And he emphasised “your”, holding it on his tongue as if it were a sour remnant from yesterday’s curry. Every fool with a pen is out there trying to write. Get a grip on your life!

Was my confidence dented? No. The perfume of the words spinning within my skull rose intoxicating, birthing a syntax that could not be strangled by the dark snakes he threw at me. I sensed the world was quivering for my semen. But there was more to come:

-Stick to something solid; a doctor, a lawyer, an accountant, or better still something in science. Just look at your twin. See how well he’s doing: a PhD, paid trips all over the world, people calling him ‘Sir’. He, the finger was raised to the heavens, is being pulled by a bright star. You, my shortsighted wordspit, have no focus. You need to concentrate, Yunger, have a direction. Forget this flighty art crap. Science is where the money is.

I listened, never reminding him of his own efforts at journalism, the weekly columns he sent to ‘The New Nation’ neatly stacked in his cabinets, and which he would read to his friends, standing next to the photographs of him opening the local temple, whenever they dropped by. I listened to him, never reminding him of those days when he’d stood me up on the table to recite the stories, that he himself had taught me, to these same friends while they drank and talked. This was not a fear on my part but rather a thought that the flower he was now trying to prune was of his own making.

Only my interest in computers and finance kept me a faded moon in the orbit of my father's ambitions – and I have to say now that all that I’ve done has been with his shadow hanging in the far corner of my room, a constant reminder that I was all he had wanted me to be, that I had never belonged to myself. I could have shrivelled and slept while I listened to him preach. But I did not. At the time it was my wife who gave me the focus, and the edge to deflect the barbs that daily flew my way. I listened to my father from within my skull, eyes focussed at the glittering centre of the universe that welled in her heart. I saw her bright shadow cut through the clouds my father carried with him. She was my shield, the hand that shaped my mould then and still continues to do so now. She is, was…..but back to the narrative, there will be ample time to explain. (A fly crosses my sight. Instinctively my hand reaches out and crushes it against the table top; that is all that’s needed to bury the past; yet time weaves criss-crossing into my eyes and I’m blinded by the glare. Let me see…..where was I?)

4

Despite Rachel's efforts the sales took a dive.

-No one’s bothering, Rachel explained. Have a look at the telephone bills; I’m the only one making any effort to call new people. And you can't blame them. Ken and you and your dear friend Terry are here to cut costs. You’re going to lay off half these people. They know that, they’re not stupid. So why should they bother picking up the phones? They don’t need to do diddly squat when they know their time’s come?

She, like us, was a freelance, the others on fixed wages with the odd commissions thrown in here and there. And she was right: the sales director and his assistant were sacked; they would have left anyway, the differences between their vision of the company and that of the new MD's irreconcilable. A new man was promoted from within the sales pool. But there was still something missing, a much needed cog which would have ensured the smooth running of what was now an all women’s sales' team.

-What’s needed is an office manager, suggested Ken. There’re too many women in that office. They need someone to push them, stop them chattering all the time. And it's got to be another woman. With a smile he added, A man hasn’t a chance in hell of controlling them. It’s got to be one of their own.

The MD took his advice and advertised for an Office Manager.

A stream of people came and went. None was chosen.

5

Rachel brought in Alli.

6

I’d taken no notice of the women in the office, acknowledged their presence in the mornings with the customary 'hello', was caught up in my webbed world, my marriage, the building of the great library slowly taking shape in my dome, and of course in the more mundane, the possibilities of making money. I saw the women; I couldn’t miss them, middle-aged, in their twenties, already old, faces dried channels filled with rotting powders. I saw them and yet I didn’t see them. They were simply there, part of moments whose significance I am only now unravelling. At the time they were simply shadows with Mona Lisa smiles co-existing with my shadow. Morning, I’d say and back came the reply: Morning.

This is not to say I didn’t notice the interest in some of the eyes. I was, after all, only a man. Man and dick can’t be separated. Stirred the muscle whenever a fuckable piece of ass went past; the eyes might not have been looking but that levered eye was certainly sniffing. There was one woman, deep purple dyed hair in her forties, very attractive but with a hunger in her eyes that pulled and repelled me with equal measure. Whenever I went into the sales office she looked up, hooked me, called me over – this new system, she said, when’s it ever going to work? Will it ever be as good as the one she was used to? – and asked me to massage her shoulders, said she had heard how good I was with my hands and oooh, just there, love, just there; I felt her through her blouse, the flesh, soft with suppressed desire, trembling under my fingertips, transmitting its urgency, wave after wave of a thousand year old dry music of loneliness, the song of a dry cunt, and I told myself this passion was not for me; I stayed my distance.

I allowed the women to stay just women. I was not ready for their damage; I was still being constructed by Azurra, we were still trying to discover all of the two hundred and eleven orifices the Incas had documented, and the Indian had illustrated. I allowed the women to remain ghosts. Our lines mingled only briefly as we walked through the corridors and having passed resumed their separateness; we touched without touching, talked without talking, were there under the same roof without being there.

Life continued: Spring began to edge the roads in green, push back the days so the sun could warm the corpses sprouting green past the dark winter hours; eyes closed to everything I went about the business of ensuring the systems were running smoothly, the accounting ledgers functioning properly, the reports producing the relevant figures, and generally assuming, as usual, that I was one of the more important cogs in the organisation.

7

The MD hired Alli.

8

Alli made her presence felt immediately.

Her perfume, even at this distance in time, was different to that of the others, was altogether more sensual, possessed the allure of the rarest orchid, an iciness contradicted by its subtle heat. She looked like the phalaenopsis that sits now on my window, the buds straining to be kissed by the diluted morning sun, exploding as the light penetrates into the blood greening in their thin stems. But this is on hindsight - at that time she was just one of the women who I saw through the haze of that dreamy summer. Every time I look at these flowers I am reminded of her mouth, the soft curve of her – Is there a cure for the past? I think not and even though I do not want to have her memories rise they are everywhere around me, moved into my present by my present - the swirling dust of the bedroom shot through with her name, the shadows filled with her laughter - and I need those memories to tell this story. This story is about her, a portrait of her and her and her, the women who have built me with themselves, their flesh mine, and mine theirs.

Alli carried the look of one used to getting her own way.

Now every morning she was the first in the building. Before the door had always been shut when I arrived, but now the lights greeted me, the heat beating gently on my face as I passed into the grey building, the rooms warm as I entered and the dank desperate smell of the place hidden under the mask of her perfume. And she, this siren casting her song so early in the sticky day? She was seated at her desk, throned, the room having been reorganised; she, with her furniture, now occupied one whole wall, the head just looking up as I passed, just a cursory glance.

For a week, maybe two, that was all, a glance, a look, no more, nothing to stay the eye, have it linger.

The next time I looked, really looked, was when she came wanting to use my laptop; ‘to write some letters,’ she explained - all the other computers were in use (looking through the glass I saw the truncated heads of the women, eyes fixed onto their screens) and these letters were urgent, and she knew that one of my ‘duties was to help in the smooth functioning of the office.’ I did not recall letter writing being listed in my contract, but I stayed silent. Sitting in the office, the door closed, blinds down, the reports were highly confidential, she told me, I spent five minutes explaining the basics of the word-processing software on the machine. She leant over my shoulder as I did so, and I smelt her, turning noticed her fully for the first time. Her eyes were grey-green, specks of yellow floating in them, the hair the gold of sunset, her nose sharp, the skin on the bridge slightly peeling, the lips full. I knew she had not slept for days. There were the faintest of circles beneath her eyes. And she looked old, worn out, thin lines cracking the skin - this woman could hold no attraction for me, I thought, but already the pressure of her breath upon my neck was forcing me to breathe carefully.

-Show me how to print these letters.

The smell of mints carried to me on her breath. She came with a full bag every morning. Every time I passed her office she was popping another into her mouth. Now that I can shift through these moments I cannot recall her eating anything else in the office. And now her breath was beating onto my face. Wings. Dark fingers. Searching, piercing, pulling at the nails that kept me together. Dark and darker, her breath.

I tried to ignore it, but behind it was her heat. That burnt me. I was surprised. It was similar to the heat of Delhi in high summer, a burning furnace. Stripped the soul bare, leaving the flesh smoking in its wake. I felt the first knock on the bars surrounding my heart, but I concentrated on the screen. My fingers stretched across the keyboard like spindly threads. Behind me I sensed her smile.

-I want them perfect, she said. Must be the right font, the right weight, the right spacing.

Her words, word after word, weighted beyond words tiding hit the side of my face. In the glass Medusa stared at me. I was stone and flesh. I let myself be touched. Delicious, the heat, the branding, the smell of flesh being scorched and shrivelled. My cheeks were aglow. I looked straight at the screen. I felt her stare – I wanted to turn and return her look but instead I fixed my eyes on the letter.

I sent the job to the printer convinced her needs were captured.

-That doesn’t look right, she laughed retrieving the paper and holding it up for me; a gabble of mischievous letters stared back at me, a script scrambled by the barrier between the laptop and the hammer.

I tried again. Showed her the preview. It looked perfect. She said it was perfect. But that bastard printer would not obey, refused to print what the screen showed, what she wanted, the fraudulent letters betraying me.

-It’s just a matter of the set-up, I told her not wanting my skills to be questioned and she nodded in agreement, the yellow flecks in her eyes dancing before an unseen storm.

Once more, then again, and again.

She stands at my back touching me without touching me; her breathing, her perfume, her shadow, the rustle of her clothes crept into me and nested beneath my brow, and I could hardly breathe (even now I rest my head in my palms and try to ease the pain in my chest). I spent an hour, more, printing the letters to her satisfaction, all the time a small voice in my head telling me I should leave, let her complete the job by herself, that I was entering a space belonging to Scylla. But there was nothing urgent requiring my attention elsewhere, nothing that could not be put aside for another hour, and besides she was just a woman, I told myself, just another ghostly body in an office full of ghostly bodies. There could not be any harm in staying an hour in that closed office with her.

9

That night, on the way home, I was waiting at a set of traffic lights on Farringdon Road, had just passed the Guardian building, when the scent of her breath once more assailed me. I remembered the heat of her closeness. The sudden touch of mint and sweat! The flowering was so vivid that I turned expecting her next to me. Cars blossomed and died. An impatient honking broke through her perfume. The lights were green and obviously I’d been stationary for a millisecond too long. I moved past, hurriedly opening the windows; my wife was expecting me outside her office and I wanted nothing of Alli in the car, nothing to bend the straight road I saw ahead of me.

A thread of guilt rippled along my back, scurried inside my stomach when I saw my wife; she was indistinguishable from the grey stone, a thin line only I could have recognised, the other cars speeding past without notice. The lights in her office were still on and I could see the figures of her colleagues scrabbling behind the counters finishing the day’s reckoning.

In the four years of my marriage no other woman had stepped, had been allowed to step, into my eyes. There had been women into whose eyes I had stepped – male colleagues aghast at my indifference later castigated me for not taking up the chances to slip my dick into the proffered flesh - and I, blissfully ignorant, had let my image dry in the moist breasts. Watching Azurra, waiting for the traffic to allow me to swing the car onto her side of the road, I felt guilty for allowing another to creep into the space reserved for her; it was almost as if the first creaking of the door leading to another world was weighing on my mind, but I was not to know what lay on the other side; the door was still firmly shut.

I loved her, I loved her, I told myself as she walked over to the car. I loved this woman and no other. I love you, I voiced to the figure approaching the window, I love you.

She looked over me, passed around me, without noticing the soundless whisper of my love; the song, a voice whispered inside me, of an out-of season bird. She waited on the other side. I stepped out, and walking quickly to her opened the door, and watched her slither into the seat. My hands had wanted to touch her, but they stopped short. Straightening I waited for my ghosts to disperse.

Our eyes still had not met. Inside the car I watched her close her eyes. I heard her breath soften. I waited for her scent to bring her into me. I waited.

-Are we going home? Her voice carried the tiredness of the day, was tinged with the colours of autumn.

To alleviate my guilt I stopped at a Chinese restaurant in Greenwich, one we’d discovered in our continuing quest for the perfect take-away, and ordered a plate of spare ribs - the first time it’d been laid in front of us the size and the quantity truly astounding, the second time slightly less so, had diminished each subsequent time, but still it held an attraction and continued to do so. Sipping the house white wine discussed our respective days while waiting for the inevitable chicken curry with cashew nuts, the special fried rice and the deep fried beef, succulent strips coated with honey (a personal addiction) that never failed to relax us.

She talked about the week’s cashing up, how she was ten pounds short, and how she suspected it had been the black woman she’d served two days before. The woman went laughing, looking back as if expecting to be called back.

-There’s no honesty left in the world, Azurra said. Me, I’d have given the money back. It doesn’t belong to her. And now it’s my problem. I’m short this week and it’ll go into my record.

To the traces of her I listened, the groove she’s played these last four years. Master of my song she had become, mistress to the voices that threatened my fall every moment. Each of my days was yesterday; each day was tomorrow. I wanted to be here now, and by listening to the animated voice I was. I listened to her, I watched her.

Her eyes were brown and green and yellow, a startling colour of mixes - her father called them ‘dog eyes’. The eyes of a huntress. They glowed in the day and were my moon at night. The days slumbered when I looked into them, the nights were shaded by their light. These were the eyes that had hunted me down, chased me through the London streets, come searing to my desk in north London when I joked that she was not for me. I had been made hers, her animal eyes growling at my timid retreat. She chased me down, that woman, this wife of mine; she chased away the rivals grazing on my borders, bringing light to the sleeping spores of my flesh. With her they breathed, I breathed, my life was coloured green.

Much of her face had been inherited from her father, especially the large Italian nose, and I could see his influence in the way she moved and talked, a masculinity barely tamed by her femininity, yet possessing the same unfettered joy for living. I watched her as she finished her food and leant across the table to maraud into my plate; so she had entered into my life, ravenous, a hunger that burst the umbilical tying me to my twin and my mother. This woman lived in my heart; there’d been no room for any one else; her blood was the river I took my oxygen from. Yet, sitting there in the restaurant, as her hand reached for a honeyed rib I saw another’s face spring into the plate. The glazed meat suddenly transformed into the reclined form of Alli; she lay there in the bowl, glistening with oil and fat, her flesh, rippled by my eye, whispering to be held. My hand rose involuntarily. It fell back. I bit my lip to keep from crying out. I watched, bizarrely fascinated, as Azurra reached out and took up a piece, broke off a portion of Alli’s breast, the honey, dripping from it, rising with it, still attached to the plate, pulling my eyes up the shining thread, past her mouth, past the sharp teeth, the tongue, the throat, the white bone, into Alli, the white shore whose soft voice was surfing into me, bringing to me the scent of strange spices. Voices circled looking for dead meat inside my head; I looked at my hands and could no longer see where I ended and she began, where they, the black tongues, began, there were so many shadows cutting the light from my eyes.

Then Azurra was touching me, I felt her reaching into my dry well, telling me we must be leaving, her eyes still hungry, the sharp glitters promising.

I shook my head clear and left Alli half-eaten in the restaurant, her minty breath forgotten in the chill of the evening by the urgency of Azurra’s fingers.

I held her close all night, lay awake until I heard her breathing soften, felt her heat increase and soften into me, and burning I lay with her till the early hours of dawn when sleep finally closed my eyes.

Friday, February 18, 2005

Chapter 2 - Alli

10

At about the time Ken and I started working in Wembley Colin, an associate I’d known through the building trade, took over two nightclubs in Soho. He asked me whether I’d like to run them for him. I’d been thinking of moving away from Ken, and this seemed to be the ideal opportunity to branch into my own domains. I phoned Yusuf, a Pakistani I’d met while trying to drum up business for the company. He ran a health shop in Cricklewood, and I first entered his shop offering expert monthly accounting. He’d laughed and said there was nothing I could teach a Pakistani about creative accounting, and countered by offering his skills to invest my money in his shop and the under-counter trading that he managed. He and I become close friends; he had the contacts to make the joints a success, and, more importantly he possessed a tongue so skilled in bullshit that I could see money flowing into the future plans which littered my head. We’ll be equal partners, I told him, and I could hear him flicking through his numbers. He needed a few days to think it over, he said, phone around and check out the scene. I knew he wouldn’t refuse. Two days later he accepted, and then I accepted, and I took Azurra to inspect the new additions to my business empire; one of them was near Soho Square, a long corridor with a stage the size of a large table used for Jazz sessions; the other, larger, spreading to two floors being used as a meeting place for fetishists, on those nights when it was not performing as a glorified brothel, was a mile up Oxford Street in a small road lined with clothes’ designer’s studios. Upon reflection that was the reason I accepted, my dick stirred by the mannequins who paraded through the street, their lean bones crying out to be fucked.

-Wow! Azurra exclaimed as Colin showed us around. This is going to be great. Can I be a bartender? Can I?

-You can be whatever you want, I replied. That was the reply I made as we lay together the first night of our marriage. We lay silent, not touching, separated, me by the fear that she would rebuff me, and her, well, that she will answer herself. I lay listening to the sounds of the party downstairs, trying to fade them out, have just Azurra’s breathing hold me. That summer I spent chasing her, following her through the London streets, chasing that shadow which never fully revealed itself to me, driven on by the light that rose in the depths of her eyes whenever I stood in front of her. Yet, on this night, which, as I climbed the stairs to what, my cousins had confidently told me - go to work on that babe, they winked - would be the best of my life, I was like a board. Even the Elder whispered that this night would lay the foundations for the future; how you play, he told me, will shape the mistress into clay, play her right, play her like I have done with mine, look for the struts and pull them tight, tune them true to the feel, the nail, the lip. I walked past the advice. I wanted this woman, had wanted to enter her so completely that I was willing to take on her skin and look out through her eyes. This was the woman who’d watered my lust, had greened herself into my heart until all that could be heard in my pulse was the song of her, the breath of a nightingale unforced by the thorn. Yet, breathing with her rhythm, rising with her rise, falling with her fall I could not move. She hardly breathed, I was suffocating. The day’s length was heavy on me, and I knew the weight on her pressed greater. I felt tired. I knew she was as tired as I was. The day had been long. And the sight of her weeping as she left her father’s house left me depressed. Nothing I said on the journey back seemed to console her. Her sister tried to comfort her, but even that failed. I knew she was close to her father; I saw that every time I went back to her house; it was obvious she was his favourite, his words, his eyes painting her, building her into the woman I could not keep away from. I had taken that picture, had seen her step out from it. I thought my eyes contained the light to allow her to continue growing. Yet here we were, silent, unmoving. Between was the echo of her father, the shadow of his voice. When I made to touch her arm, sliding my hand slowly to her side, she flinched. I ached. I waited. My cock stretched, arced painful. I lay silent waiting for her breathing to lighten. Then I told her:

-Let’s get out of here. We can climb down from this window.

-You’re mad, she whispered moving slightly into the trench created by my body. They’ll see us. They expect us to stay here all night.

-And they’ll check the sheets for blood in the morning, I laughed.

-No!

I sensed her stiffen and said, I’m joking. But we need to get away from this noise. I need some silence.

-Go to sleep then.

-I can’t, and I need to show you something.

-I’ve seen dicks before, she retorted.

I said nothing.

-I’m sorry, she whispered then turned her head towards me her eyes bright coals. Your father frightens me, she said. He’s not like mine.

I knew what she meant. They were not from the same tree. I knew problems lay ahead but I pushed the thought aside. Will you come with me? I whispered.

Her hand gripped mine. You won’t let him hurt me? Promise! I want to grow with you but I need my own space. I don’t want him colouring my space. Promise! Her voice was urgent and I knew my father’s public mask had not deceived her.

I snaked my arms around her waist. I was going to show you Rochester castle, I said losing myself in her perfume. That’s where I wanted to take you. The most beautiful building you can imagine, especially at night, and especially tonight. It’s full moon, I explained and she moved closer. My arms will be like its walls, I continued warming to my theme, warming to her heat. The space within is all yours. I’ll try to keep the weathers away, keep you dry. You can be whatever you want and I’ll keep you within me.

Keep me, she said swooping to kiss me. Show me the castle.

We dressed and slipped from the house. I remembered the glow in her eyes that night and that same glow was there now as we stood with Colin surveying this new kingdom whose gates he was now opening.

-Can I? She looked from me to him and back. That same light, yet much more intense, sparked in those moments after we lay panting, having explored every crevice, licked every orifice and penetrated all of the twenty-one erogenous centres. I looked from her to Colin.

-You can do whatever you want, he assured her, laughing at her excitement. All I want is to stay in Portsmouth, receive my weekly cheques from Indy, and, generally, just stay out of the way. You two do whatever you think fit.

Colin was an engineer by trade, had made some serious money in the building trade, and now lived on Hayling Island in a house that looked across the bay, its garden touching the beach, and connecting him with the rest of England. His recently acquired wife, a golden haired woman in her forties, cared for his needs and he seldom had to step outside his house. But here he was, the lure of money bright on his stooped shoulders, his white head spun gold by the lights. He’d acquired, well to be accurate he’d been sold, the venture into the nightclub business as a sure-fire return. Just put in the proper management and the right publicity, they told him, and he could look forward to expanding his ailing building projects, those architectures he himself had designed and now stood unfinished monuments – he was eager to cap the buildings, to open new plans, follow new lines. The clubs would be the road leading to the end of his dreaming.

-Look after them, Indy. Appoint new staff, keep the same sods if you must. But, he looked me in the eye, make these buggers pay. You run them, fill them. Call me every week. Tell me how good they’re doing.

So Azurra and I found ourselves the willing curators, for that was the only word to describe our position, of two nightclubs.

After work we drove from her office to Soho Square where, it seemed, after endlessly circling the park, we eventually pulled into a parking space, and then walked hand in hand to the first, Coolie Brown's. We’d inspect the bar, go down into the cellar, check the stock and the state of the kitchens and then accompanied by the manager, a Polish man that Yusuf had appointed, go to the other and make sure everything was in readiness for the night ahead.

We always stayed at the larger, Little John's, where I stood at the door, welcomed the guests while she served behind the bar, held court among the bottles; I had never seen her so happy, her face radiant as she chatted and filled and refilled the punters’ glasses. Even at the door I could hear her cockney voice chiding the men who tried to chat her up - I knew she would never be unfaithful. She was the charm that kept them coming back to the bar, kept the till busy and Colin happy. It was her infectious laugh, the easy manner that drew the men to her, the way she moved, those ‘dog’ eyes that kept the tills ticking over.

We enjoyed ourselves, the tiredness as we drove home in the early morning quickly shed at the prospect of the next evening. We slept deep, bodies curled about and walled within each other. The noise of the day was left at the door.